> For the complete documentation index, see [llms.txt](https://benjohansen.gitbook.io/eaintro/llms.txt). Markdown versions of documentation pages are available by appending `.md` to page URLs; this page is available as [Markdown](https://benjohansen.gitbook.io/eaintro/select-works.md).

# Select Works

* 1948 - Pierre Schaeffer - [Etude aux chemins de fer (trains)](https://www.youtube.com/watch?v=CTf0yE15zzI) 
  * *Musique concréte* = **fixed** - created from recorded sounds and synthesized sounds
* 1954 - Stockhausen - [Studie II](https://www.youtube.com/watch?v=_qi4hgT_d0o)
  * *Elektronische Musik* = **fixed** - based solely on the production and manipulation of electronically produced sounds rather than recorded sounds
* 1970 - Mario Davidovsky - [Synchronism No.6](https://www.youtube.com/watch?v=UNcVjQUZ5VI)
  * "One of the central ideas of these pieces is the search to find ways of embedding both the acoustic and the electronic into a single, coherent musical and aesthetic space." - Davidovsky
  * Tape music = **fixed**

![](https://1318170316-files.gitbook.io/~/files/v0/b/gitbook-legacy-files/o/assets%2F-MX7jMC3WYr1PH98xUuE%2F-MXCZcBZEZb0JXrMKH4K%2F-MXCaOVK8xPWWuFzRoLv%2FDavidovsky_synchronism6-first-page.jpeg?alt=media\&token=b5bd26e3-ae8f-4567-90bd-513257507926)

* 1986 - Barry Traux - [Riverrun](https://youtu.be/u81IGEFt7dM?t=847)
  * entirely created using granular synthesis
  * Tape music = **fixed**
* 1988 - Philippe Manoury - [Pluton](https://www.youtube.com/watch?v=JFnW7Xocb_U)
  * [performance with Miller Puckette](https://youtu.be/W9xjcOrl-kk?t=400)
  * [terrific technical explanation of the work](http://msp.ucsd.edu/syllabi/271.01f/doc/manoury-pluton/index.htm)
  * live processing = **interactive**
    * MIDI and audio from piano to the computer
* 1988 - Paul Lansky - [Nojustmoreidlechatter](https://www.youtube.com/watch?v=SFoT3HykaPs)
  * “To my ear speech and song are not mutually exclusive: there is music in speech, and speech in song.” - Lansky
  * Lansky’s wife, Hannah MacKay, is the voice of this work
  * Notjustmoreidlechatter was made on a DEC MicroVaxII in 1988 using a technique known as Linear Predictive Coding, granular synthesis and a variety of stochastic mixing techniques
  * Tape music = **fixed**
* 1998 - Cort Lippe - [Music for Hi-Hat and Computer](https://youtu.be/iRSkZCoxEp0?t=140) starting at Section II ([link to score](https://www.cortlippe.com/compositions.html))
* 2004 - Åke Parmerud - [La vie Mécanique](https://www.youtube.com/watch?v=-H5pdkmYIqQ)
  * **fixed**
* 2010 - Tristen Perich - [1 bit symphony](https://www.youtube.com/watch?v=apDFVsBDCYE)
* 2013 - Andrew May - [Ripped-Up](https://www.youtube.com/watch?v=9cqB7nEFHN8) ([score](http://andrewmaymusic.com/Works/Ripped-Up_Maps.html))
  * for solo instrument and computer (Max software)
  * improvised/indeterminate and **interactive**
* 2012-14 - Jonty Harrison - [Some of its Parts](http://ezproxy.baylor.edu/login?url=https://search.alexanderstreet.com/view/work/bibliographic_entity%7Crecorded_cd%7C4084306?account_id=7014\&usage_group_id=115055)
* 2015 - Panayiotis Kokoras - Connotations ([audio](https://soundcloud.com/pkokoras/connotations-string-orch-elec)) ([score](https://issuu.com/pkokoras/docs/pkokoras_connotations))
  * for string orch and electronics
  * acoustic instruments + track = **fixed**
* 2018 - Elainie Lillios - [Undertow](https://www.youtube.com/watch?v=8KfmulRZJVQ\&list=PL7p7IHDRaGu7_pmXr6LQN_I7BmsEo_uzP\&index=75)
  * bass clarinet and live, interactive electronics
  * live processing = **interactive** (using Max software)
* 2019 - Adrian Moore - [Audiogentry](https://soundcloud.com/adrianmoore/audiogentry)
  * acousmatic (**fixed** ... evolved from *musique concréte*) 
  * [lecture by Dr. Moore](https://www.youtube.com/watch?v=s1S7rbPhvdw)
* 2021 - Sarah Belle Reid - [Studio Concert - Music for Trumpet, Voice, & Electronics](https://www.youtube.com/watch?v=903ey_0yM8U)
  * two **interactive** electroacoustic works
* 2021 - Elliott Lupp - [STRIX](https://www.youtube.com/watch?v=cMoZCoctIGU)
  * **fixed** (basically a "tape piece")

## Discover More:

[**ScoreFollower**](https://www.youtube.com/c/ScoreFollower/) and [**Incipitisfy**](https://www.youtube.com/user/incipitsify) YouTube channels. Here's the owner describing the two channels:

> They are simply different channels started by different people that are now owned by the score follower team. Incipitsify was given to the person behind score follower in 2015, necessitating additional members to help upkeep both of the channels, along with the channel mediated scores. We chose to keep the channels separate for multiple reasons—one of which being that upon ownership transfer, we had to go through all of the incipitsify videos and secure permissions and/or delete videos that did not follow our guidelines. We also did not want to zero-out views/likes and create hundreds of dead links by taking down incipitsify and Re-uploading to score follower. There’s no conscious aesthetic difference, although it is worth noting that score follower focuses on works from the last 10 years, and has a once-per-week upload schedule, while incipitsify is regarded as a larger archival repository with an upload schedule of twice per week.

[**Electrothéque**](https://baylor.primo.exlibrisgroup.com/permalink/01BUL_INST/2cm1pj/alma991020712819705576) music database (Baylor subscription)