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EA Music in 1hour
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  • 1948 - Pierre Schaeffer -

    • Musique concréte = fixed - created from recorded sounds and synthesized sounds

  • 1954 - Stockhausen -

    • Elektronische Musik = fixed - based solely on the production and manipulation of electronically produced sounds rather than recorded sounds

  • 1970 - Mario Davidovsky -

    • "One of the central ideas of these pieces is the search to find ways of embedding both the acoustic and the electronic into a single, coherent musical and aesthetic space." - Davidovsky

    • Tape music = fixed

    • entirely created using granular synthesis

    • Tape music = fixed

    • live processing = interactive

      • MIDI and audio from piano to the computer

    • “To my ear speech and song are not mutually exclusive: there is music in speech, and speech in song.” - Lansky

    • Lansky’s wife, Hannah MacKay, is the voice of this work

    • Notjustmoreidlechatter was made on a DEC MicroVaxII in 1988 using a technique known as Linear Predictive Coding, granular synthesis and a variety of stochastic mixing techniques

    • Tape music = fixed

    • fixed

    • for solo instrument and computer (Max software)

    • improvised/indeterminate and interactive

    • for string orch and electronics

    • acoustic instruments + track = fixed

    • bass clarinet and live, interactive electronics

    • live processing = interactive (using Max software)

    • acousmatic (fixed ... evolved from musique concréte)

    • two interactive electroacoustic works

    • fixed (basically a "tape piece")

Discover More:

They are simply different channels started by different people that are now owned by the score follower team. Incipitsify was given to the person behind score follower in 2015, necessitating additional members to help upkeep both of the channels, along with the channel mediated scores. We chose to keep the channels separate for multiple reasons—one of which being that upon ownership transfer, we had to go through all of the incipitsify videos and secure permissions and/or delete videos that did not follow our guidelines. We also did not want to zero-out views/likes and create hundreds of dead links by taking down incipitsify and Re-uploading to score follower. There’s no conscious aesthetic difference, although it is worth noting that score follower focuses on works from the last 10 years, and has a once-per-week upload schedule, while incipitsify is regarded as a larger archival repository with an upload schedule of twice per week.

1986 - Barry Traux -

1988 - Philippe Manoury -

1988 - Paul Lansky -

1998 - Cort Lippe - starting at Section II ()

2004 - Åke Parmerud -

2010 - Tristen Perich -

2013 - Andrew May - ()

2012-14 - Jonty Harrison -

2015 - Panayiotis Kokoras - Connotations () ()

2018 - Elainie Lillios -

2019 - Adrian Moore -

2021 - Sarah Belle Reid -

2021 - Elliott Lupp -

and YouTube channels. Here's the owner describing the two channels:

music database (Baylor subscription)

Riverrun
Pluton
performance with Miller Puckette
terrific technical explanation of the work
Nojustmoreidlechatter
Music for Hi-Hat and Computer
link to score
La vie Mécanique
1 bit symphony
Ripped-Up
score
Some of its Parts
audio
score
Undertow
Audiogentry
lecture by Dr. Moore
Studio Concert - Music for Trumpet, Voice, & Electronics
STRIX
ScoreFollower
Incipitisfy
Electrothéque
Etude aux chemins de fer (trains)
Studie II
Synchronism No.6